You have inevitably heard it before, that person “puts out bad vibes”, or, “that music has good vibes”. We often refer to these colloquial expressions when describing what we “feel” when we are exposed to certain stimuli. The body acts as a complex machine, consisting of many separate, interconnected, individually vibrating mechanisms that allow us to experience pleasant or less than gratifying emotional or physical sensations. Think about that tax bill you just received, or that very first car and the rumble of that engine that was pitch perfect, or your daughter’s first ballet performance, possibly, the Nutcracker, which even though may not have been without some flaw, was something that warmed the cockles of your heart! Of course, let’s not forget about that first encounter with your spouse that gave you the “deer in the headlights” look on your face, that if someone had just informed you of a million dollar lottery win, it would not have fazed you anymore than the beauty (handsomeness) that was beheld in your immediate visual field! So, conversely, if the components of our body have their tolerances exceeded to the point of emotional or physical pain, some sort of sickness will be experienced; think headache and motion sickness).
This leads me into the subject of
one of our least talked about tissues in our bodies, the connective tissue,
which includes tendons, ligaments, and in particular, the fascial tissue.
Aside from connecting, our fascia
surrounds, separates, compartmentalizes, protects, insulates and buffers bones,
nerves, muscles, and other tissues. In fact, each individual muscle fiber is
sheathed with fascia! Fascia is made up of parallel fibers that transmit
tension forces, or, vibrations to nerves. An analogy of this is our own
clothing, which has a similar capability. If something or someone should tug on
our pant cuff but not directly touch any part of our body, we would still have
a fair appreciation of both the location and nature of the stimulus. This is
because the tension on the pant cuff is transmitted up the pant leg to the
waist where the stimulus is integrated into the nervous system.
In this way, fascial fibers function
much as stringed musical instruments do. For example, a guitar or piano works
on the principle of vibration. Each string has a specific diameter and tension,
and when stimulated, it vibrates at a precise frequency and causes a specific
note to play. Just as our ears hear music, our nervous system is interpreting
fascial tension input. But, when the piano is “out of tune”, the expected
frequency of the notes is usually undesirably changed. This is also the case
with a distorted fascial band in which the off-key vibratory frequency is
transmitted through the nervous system to the brain where it is deciphered as
burning, tightness, pulling, or pain.
There are four different types of
fascia and six different distortions that can affect our well being.
I will address these over a couple
of articles. What is interesting is that while we all have each type of fascia,
we each have differing amounts of them. For instance, a healthy football player
will probably have more of one type, than say, a ballet dancer, who will
generally be endowed with another.
1.
Banded.
As one of the most common types of
fascial tissue, trigger bands are anatomical injuries to banded (parallel
fibers reinforced by perpendicular cross-bands) fascial tissues in which the
fibers have become distorted (i.e., twisted, separated, torn, or wrinkled). The
associated verbal description by patients is: burning or pulling pain along a
linear course, say, along the neck, down the shoulder, into the arm and
resembles a Ziploc® bag in that the fibers/bands separate and, if become
chronic, can become filled with scar tissue. The goal of treatment in this
distorted tissue is to zip up the separation(s) and to iron out the wrinkles by
hand or instrument. In a number of circumstances, the other facial distortion
types must first have this tissue “cleaned up” first in order to see the
optimal results with other fascial, muscular and spinal alterations.
So, bear in mind, that when injuries
occur, whether noticeable or not (think of the proverbial frog boiling in
water), you may not notice pain yet, but as the off-key vibrations build up and
are transmitted to the tipping point of your threshold, your attention will
eventually demand a response. The only question is, are you paying attention to
those good vibrations?
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